Titian and the Venetian woodcut of the sixteenth century.Michelangelo Muraro, David Rosand.Neri Pozza Editore, 1976
$42.96
TITIAN AND THE 16TH CENTURY VENETIAN XYLOGRAPHY.
Michelangelo Muraro and David Rosand
Neri Pozza Publisher
First Edition, 1976
Pages 166
Work of the Giorgio Cini Foundation with 112 cards illustrated outside the text in black and white.
The Giorgio Cini Foundation, on the occasion of the fourth centenary of the artist's death
(August 27, 1576), presents the one entitled "Titian and the Venetian xylography of the sixteenth century".
These are two complementary manifestations, which place the problem of Titian's graphics on the agenda in the dual aspect of drawing, which constitutes an auroral moment of the artist's creative activity, and engraving, in which the sign form is
elaborates more organically to be translated into a reproduction technique on wood or on metal.
INDEX:
Rodolfo Pallucchini
Presentation
Michelangelo Muraro and David Rosand
Exhibition criteria
Welcome Feliciano
Introduction: Titian the engraver and his times
Michelangelo Muraro and David Rosand
Introduction: Titian and the Venetian xlography of the sixteenth century
Catalog:
I. Titian and the new style of Venetian woodcut
II. Domenico Campagnola: 1517
III. The landscape
IV. Titianus invenit – Nicolaus Boldrinus incidebat
V. Titian, Giovanni Britto and the portrait
YOU. Anatomies for the treatise of Vesalius
The Skeletons
The Skinned
Adam and Eve
VII. Boldrinian
VIII. Books and woodcuts from the mid-sixteenth century
IX. Joseph Scolari
Bibliographic note
Bibliography
Illustrations
Index of names and entries relating to the woodcut
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