$32.11
Jean Cocteau
JOURNAL 1942 - 1945
Texte établi, annoté et présenté
by Jean Touzot
Gallimard Edition, 1989
First Edition.
Poster texts and Turkish texts, this is the paradoxical sort done by Cocteau so much so that the aigle referred to are shadows over France.
Les critiques ont beau l'injurier et déchaîner contre lui des 'boy-scoutscriminals', ses pièces, ses mises en scène, ses scénarios triumphant: Renaud et Armide, L'Éternel Retour, Antigone à l'Opéra. After the Liberation, and also the defender of Max Jacob, the companion of Éluard was not yet 'pure', during a period of silent persecution. It took me long years to sort out this semi-disgrace. Unique cause: an article dedicated in 1942 to the artist favored by Hitler, the "Salut à Breker" launched for bravery, as a free act, in the name of freedom and the fraternity of artists, in the beginning of the histoire et de tout mot d'ordre. The 'comprend rien à la politique' et les démontre de façon consternante en notant, avec un credulité voisine de l'inconscience, les propositions du sculpteur allemand. Cocteau voit passer des adventurers, des opportunistes, des "zazous", des académiciens; he lingers on Picasso, Valéry, Colette, and Genet discovered in 1943. The events of life culture or worldliness provoke verve, fueling an esprit parfois malveillant, fournissant à sa chronicle des épisodes cocasses. All of the serious and intimate pages, about the experience of relaxation, about the death of one's mother, ruined the fable of frivolous writing and we are reminded of what should be called "difficulty of being".
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